Johann Sebastian Bach (1685 — 1750)

HISTORY                         Composers

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PERFORMERS

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The Roots of Famous Violinists

TEACHERS

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DEALERS                        

A

Johann Christoph became Bach’s mentor, and grudgingly directed Bach’s study of the harpsichord. After five years, Bach was able to free himself from his brother’s often tyrannical reign. He joined St. Michael’s School in Luneburg, where he was able to pursue the study of the violin, organ, and composition. Devoted to bettering his musical composition and playing techniques, he would walk long distances in order to hear performances by noteworthy musicians. At the age of nineteen, Bach took as position as the organist at the Neukirche in Arnstadt.

Bach faced a jail sentence when he informed the Duke of Weimer that he intended to accept a position from Prince Leopold of Anhalt. Apparently, the duke’s ego was bruised when he learned that Bach would rather work for someone else. After the duke had held him as a prisoner for over a month, Bach was given permission to leave Weimar, and to accept the new position. As Kapellmeister and director of chamber music at Cothen, Bach was responsible for leading an orchestra and writing music for its performances. Thus, Bach’s focus shifted from writing for the organ to composing pieces for individual instruments and chamber orchestras. Bach’s duties included accompanying Prince Leopold, a great appreciator of music, on musical excursions around the country. On returning from one such trip, Bach found that his wife, Maria Barbara, had passed away. As three of his children had already died, Bach faced the prospect of raising his four remaining children alone.

Fortunately, Bach was asked to compose and perform cantatas for the prince’s birthday. Many singers were hired for the performance of Bach’s music, and Anna Magdalena, a twenty-year-old soprano, caught Bach’s eye. Merely a year after Maria Barbara had passed away, Bach was remarried to Anna Magdalena. A short week after Bach and Anna married, Prince Leopold took a bride. The prince’s bride expressed extreme distaste for music, and diminished the court’s emphasis on the arts. Thus, 1722 found Bach relocating once again.

Bach vied for the position of music director at Leipzig, and cantor of the Thomasschule there. He sent his Passion According to St. John as evidence of his music writing ability, and was accepted for the post once two other preferred candidates withdrew. Bach retained this position until the close of his life, and busied himself with a variety of responsibilities. As cantor, he taught the school’s unruly students Latin, trained singers and instrumentalists, directed musical activities, played the organ, and wrote music for performances.

Thus, Bach’s life was enveloped in the writing, teaching, and performing of music. He composed a voluminous number of works while carrying out his many duties. Bach’s goal was to work hard and to glorify God. He found the strength to meet all the demands that were placed upon him, and to continually produce awe inspiring music. Only after 1726 did Bach acquire a small amount of fame for his compositions.

Together, Anna Magdalena and Bach had thirteen children. Given Bach’s meager salary and his poor living conditions, life was often difficult. Many of his children passed away simply because their housing was unhygienic. Yet, despite the constant tragedies and challenges he faced, Bach never stopped composing. He experimented with a myriad of musical forms, and produced works that are profoundly lyrical.

Toward the end of his life, Bach’s eyesight began to diminish. In search of a remedy, he was led to John Taylor, a specialist who also operated on Handel. After two cataract operations, Bach was plagued by a dangerous infection and reduced to a state of near blindness. Nonetheless, with his son-in-law’s help, he continued revising and improving his chorale fantasias. Briefly before his death, his eyesight returned. During this time Bach wrote his final piece of music, a hymn appropriately entitled “I Will Appear Before Thy Throne”.

Bach’s musical works were unaffected by the social trends that altered the course of music during his time. Bach wrote from the heart, and had no desire for public acclaim. Music unceasingly flowed out of his pen, and he is one of the most prodigious writers of all time. Following his death in 1750, Bach’s grave was left unmarked and his manuscripts were unceremoniously sold for pennies. It was not until much later that his physical remains were entombed, and his music began to resound across the world.