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Franz
Schubert’s presence graced the earth for merely thirty one years.
However, in that brief span of time
this great
composer created a wealth of
musical treasures. Schubert was born into a modest family.
His father a schoolmaster, encouraged Schubert’s love for music, and
the local parish choirmaster, Michael Holzer, directed Schubert’s
study of the viola and the organ, as well as of vocal technique.
Schubert’s musical abilities grew at a tremendous rate, and at the age
of eleven he was admitted into the School of the Imperial and Royal
Chapel, where choristers were trained.
Schubert wa s a
shy and timid
boy, and life
at the school
was
often difficult. Heating was poor, and food was scarce. Despite
its trying physical conditions, the school provided an environment in
which Schubert flourished musically. He became proficient on the violin,
and spent much of his time happily composing pieces, or playing in the
school orchestra. Schubert’s teachers were astonished by his musical
abilities. He was a stunning violinist, and his first composition, Hagars
K/age, greatly impressed Salieri,
the Schubert’s studies. When Schubert’s talents surpassed the
teaching skills of Ruczizka, Schubert was transferred to Salieri’s
class. Salieri continued to direct his musical progress, astonished by
Schubert’s growing accomplishments.
In 1813 Schubert’s voice cracked. As was the
custom, he was required to leave the school and return home. Schubert
followed in his father’s footsteps, and after a year of training at
the Normal School of St. Anna,
he became a teacher. However, Schubert soon found that he detested
teaching. A quiet, introverted individual, Schubert did not enjoy
directing large classes of students, and paid little attention to the
children’s progress. His mind was filled with musical melodies, and he
was unable to focus his attention on other distractions. 1815 was the
year in which Schubert began producing his great masterpieces. Supported
by Spaun, a close friend from the School of the Imperial and Royal
Chapel, Schubert and two other friends formed a group called the "Schubertians".
United by a love for Schubert’s music, this group brought
encouragement and financial support to the great composer.
Schubert’s pieces have continually been acclaimed
for their lyrical, beautiful! melodies. Although he composed
prolifically, producing masses, symphonies, sonatas, choral
works, and
operas, Schubert is most
renowned for the songs, or Lieder. that he composed. He produced
over six hundred Lieder, crafting many of the world’s
most beloved melodies. Schubert’s facility with multiple instruments
enabled him to use the piano as a backdrop for the predominant melodies
in his pieces. He obscured the lines between music and poetry, and often
set the words of poems to a lovely tune. Ave-Marie
is among his masterpieces, and
it captures the overwhelming depth of expression that
Although many have been overwhelmed by Schubert’s
mellifluous music, Schubert himself was in awe of Beethoven’s
masterpieces. Beethoven’s music provided him with life long
inspiration. Schubert visited Beethoven’s deathbed, honored to be in
the presence of such a great composer. On his own deathbed, Schubert
demanded that he be buried next to Beethoven. Thus, Schubert lies in the
Wahring cemetery, close to the man whose work arouse is own passion or
music.
Note by Shanaira Udwadia (May-2001) |